Entertainment
‘Genius’ Joker: Folie à Deux succeeds where so many movies have failed before-Tori Brazier-Entertainment – Metro
Joaquin Phoenix gambled by returning to his Oscar-winning role.
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Returning to an Oscar-winning role may have been a gamble for star Joaquin Phoenix, but Joker: Folie à Deux was worth the risk as Todd Phillips makes the musical cool again.
People seem so averse to describing Joker 2 as a musical – including Lady Gaga herself, who stars as Harley ‘Lee’ Quinn – but that’s what it is. The same as, it’s a sequel. And a thriller. And a courtroom drama.
Writer-director Phillips has fashioned a genius take on the genre – as well as melding it with others – building on the rich vein of music that ran through 2019’s Joker anyway.
We shouldn’t be surprised that Folie à Deux progressed to a full-blown musical; it doesn’t mean that Phoenix’s role or the cinematic universe created for him is any different from last time.
Arthur Fleck just sings in his daydreams and delusions now, and he’s found the perfect duet partner in Gaga’s Lee.
Following an absolutely incredible Looney Tunes-inspired opening, we catch up with Arthur at Arkham Asylum, two years after the events of the prior movie.
Lady Gaga and Joaquin Phoenix play Arthur Fleck/the Joker and Harley ‘Lee’ Quinn in Joker sequel Folie à Deux (Picture: Warner Bros)
The film, released on October 4, is a movie musical among another genres (Picture: Warner Bros
He’s imprisoned and awaiting trial, surviving in a dangerous atmosphere with guards (including Brendan Gleeson’s) provoking him for ‘a joke’.
When he lays eyes on Lee during a music therapy session though, they instantly embark on a tumultuous and intense romance.
Arthur, it transpires, has become somewhat of a celebrity since his killing spree – and especially since someone turned it into a TV movie. Lee is enthralled.
Wrapped up in each other’s chaos, the pair come together in a swathe of musical numbers, encompassing standards from the American songbook like Get Happy, Bewitched, Bothered and Bewildered and That’s Entertainment.
We see them waltz on a rooftop like Fred Astaire and Ginger Rogers, perform on a 70s variety TV show and entertain the audience at a smoky jazz club.
Folie à Deux uses Gaga as more of a plot device, but she is perfectly cast (Picture: Warner Bros
There are also a few original songs in there, and while Gaga is, of course, exceptional, Phoenix reminds us of the pipes he displayed in Walk the Line. Both are performing messily and passionately anyway, perfectly in character.
In the meantime, Arthur is grappling with his legal defence and alter ego, who Lee encourages at every opportunity.
The two of them promise tragedy and heartbreak, even while tickling the audience in dark moments with their blissful lack of awareness (Arthur wants a better seat for Lee in the courtroom, to watch him perform – never mind that he’s imploding his case).
However, for the Gaga stans, this is not a centre stage moment like A Star is Born for their Mother Monster, but instead a supporting one to Phoenix with Lee somewhat of a personified plot device.
Folie à Deux also continues its nods to the wider Batman-verse, with Industry’s Harry Lawtey appearing across the courtroom as Harvey Dent.
Actors from the first Joker crop up to give testimony too, tying things nicely – if grimly – together.
It’s two years after Arthur’s killing spree in the first film, and he’s awaiting trial (Picture: Warner Bros)
As a sequel, the film surpasses its predecessor (Picture: Warner Bros)
It’s hard to know what else the Joker follow-up could have done to satisfy and entertain fans – although we do get rather stuck in what becomes a repetitive courtroom setting.
The movie’s not a short one either, at two hours and 18 minutes. Perhaps a little trim wouldn’t have hurt.
But in terms of scope, imagination and approach, Folie à Deux achieves two remarkable things. It updates the movie musical, using the genre in an inspired way that shouldn’t frighten fans who think they don’t like them. It’s also that rare sequel that meets – if not surpasses – the quality of its predecessor.
And that’s entertainment.
This article was originally published on September 4.
Joker Folie à Deux premiered at Venice Film Festival on September 4. It’s out in UK cinemas from today.
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