Hollywood star apologises for having ‘great t**s’ days after being slammed by female producer-Rebecca Sayce-Entertainment – Metro

Sydney Sweeney had a simple message in her latest Instagram post (Picture: Will Heath/NBC via Getty Images)

Sydney Sweeney’s boobs are once again a topic of conversation as the star shared a cheeky Instagram post after a Hollywood producer’s scathing comments.

The Immaculate star, 26, posted a series of photos from her sun-soaked Mexico getaway, including a clip of her dancing with friends and cuddling an adorable dog.

Among them is a picture of the Euphoria actor wearing a khaki sweatshirt with the phrase ‘Sorry for having great t**s and correct opinions.’

It comes after Sweeney found herself at the receiving end of an unprovoked tongue-lashing from Carol Baum, famed for her work on Dead Ringers and Fly Away Home.

‘There’s an actress who everybody loves now – Sydney Sweeney,’ she said during a conversation with New York Times film critic Janet Maslin.

The producer went on to say that she watched Sweeney’s rom-com Anyone But You on a plane and was not impressed by Sweeney’s performance: ‘I don’t get Sydney Sweeney. I was watching on the plane Sydney Sweeney’s movie because I wanted to watch it.

The Immaculate star wore a cheeky sweatshirt in a photo posted to her page (Picture: Sydney Sweeney/Instagram)

Sydney posted a series of shots from her recent Mexico getaway (Picture: Sydney Sweeney/Instagram)

Among the sun-soaked images were snaps of her partying with friends following her spat with Carol Baum (Picture: Sydney Sweeney/Instagram)

‘I wanted to know who she is and why everybody’s talking about her,’ she told Maslin and the audience.

‘I watched this unwatchable movie – sorry to people who love this movie – [this] romantic comedy where they hate each other.’

Referencing her position as a professor at the USC School of Cinematic Arts, Baum continued: ‘I said to my class, “Explain this girl to me. She’s not pretty, she can’t act. Why is she so hot?”

Nobody had an answer but then the question was asked, “Well if you could get your movie made because she was in it, would you do it?”

‘I said, “Well that’s a really good question…that’s a very hard question to answer because we all want to get the movie made and who walks away from a green light? Nobody I know. Your job is to get the movie made.”’

Sydney issued a fiery statement following the seemingly random attack, with a representative for the star telling Metro.co.uk: ‘How sad that a woman in the position to share her expertise and experience chooses instead to attack another woman.

Hollywood producer Carol, centre, attacked the star saying she ‘isn’t hot and can’t act’ (Picture: George Pimentel/WireImage)

It comes after Sydney’s breasts became a political symbol for some strange reason (Picture: Jon Kopaloff/Getty Images)

‘If that’s what she’s learned in her decades in the industry and feels is appropriate to teach to her students, that’s shameful. To unjustly disparage a fellow female producer speaks volumes about Ms Baum’s character.’

It’s not the first time Sydney’s chest has hit headlines with the actor becoming a bizarre political symbol earlier this year.

An argument that became rife on social media was that the Madame Web star’s rise to fame proves that ‘wokeness’ (a slang term widely accepted to mean alert to prejudice and discrimination) is on its way out.

The reasoning for this by some was that she is a conventionally attractive blonde who occasionally shows off her sizable chest in low-cut dresses. Yes, really.

The discourse started with one viral post on X captioned, ‘Wokeness is dead.’ above a clip of Sweeney on SNL in a lowcut dress. 

This inspired a comment in a Canadian publication, which the writer summarises as: ‘We’ve spent years being chastised for desiring or admiring beauty — because beauty is rare and exclusionary, and to exclude is to hate — or so we’ve been scolded to accept by today’s diversity, equity, and inclusion fanatics. We aren’t supposed to admire Sweeney’s beauty; but we’ve done it anyways. The times, they are a-changin’. Aren’t they?’

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